1. Where the song came from
Mic List
2. Setting up the session
Cut with a click
Creating a beat map
Once your beat map is made, lose the click
Mark your song sections
Use the end to gauge your rough mix
Track layout
3. Mixing through busses
Setting up aux inputs
Hiding unneeded sends
Bussing your instruments
Using solo safe for bus masters
4. Fixing, then mixing
Listening to the drums
Checking the drum group
5. Beat Detective for drums
Leaving a path out
Holding off on crossfades
Making a consistent drum part
Avoiding crash decay
Fixing the in and out points
6. Using Region Groups
Pasting the chorus
Beat Detecting the verses
Fixing Beat Detective holes
Why Beat Mapping is so useful
Finish quantizing drums
Consolidating drums
7. Beginning the static mix
Beginning drum mixing
EQing drums
Balancing your drums
Checking drum polarity
Using a master fader to check mono compatibility
SSL channel strip on snare
What speaker setup should I check with?
Faking a room mic
Using post fader metering
Drum panning
Snare EQ
Cleaning toms
Utilizing previous playlists
8. Using Sound Replacer
When Sound Replacer doesn't work
Tom EQ
9. Bass guitar bussing
Bass guitar compression
10. Electric Guitars
Placing guitar stacks
Electric EQ & Compression
Overall Guitar EQ
11. Bringing back drums & bass
Drum ambience with Altiverb
Fitting the mix to the song
Snare compression
12. Pre-Mastering with Ozone
Compensating for pre-mastering
Removing hat from snare with DeEsser
13. Triggering the snare
Controlling dynamic range with Sound Replacer
Bringing the hi-hat back
14. Lead Vocals with Melodyne
Scale snap versus Note Snap
Tuning the chorus
Fixing vocal timing with Melodyne
Adjusting pitch modulation
15. Lead vocal mixing
Setting up automation modes
Mixing order
Getting consistent vocal level
Vocal EQ & Compression
Multiple compression on vocals
Vocal delays
16. Working with a comparison mix
DeEssing vocals
17. Mixing fader rides
Mixing with busses
Opening it to stereo
18. Creating a song intro
Reverse guitar intro
Automating Amp Farm distortion
19. Creating points of interest with loops
Nudging loops
Printing the midi to audio
20. Creating BGV's with Melodyne
Utilizing pitch shift
Creating BGV stacks
21. Final pitch preparation
Cutting the solo
Region groups
Building an ending
22. The final print
Creating a digital record loo
Saving a Mix Selection
Exporting the mix